Wednesday, May 30, 2012

Wrestling News Media: Dwayne Johnson aka "The Rock" Bringing Hulk Hogan And Roddy Piper’s Legendary Stories To TV / Movies; NBC Talk, by Greg Tingle

Scoop: PartyCasino.com By Bwin.Party Digital Entertainment To Get Andre The Giant Online Slot Game

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Dwayne Johnson and Jerry Bruckheimer are teaming up for a new TV project, set in the world of competitive wrestling in the ’80s. The NBC offering hails from Jerry Bruckheimer Television in association with Warner Bros. Television; Johnson (“Fast Five”) will be an EP on the project but no word on whether he’ll actually appear in the series. Deadline says it will be written by Brent Fletcher and Seamus Kevin Fahey (”Spartacus: Gods of the Arena”), who will co-executive produce alongside KristieAnne Reed. Johnson will next be seen in the Uni tentpole “G.I Joe : Retalliation”.




NBC Buys Dwayne Johnson-Bruckheimer Wrestling Drama Set In 1980s...

NBC is getting in the ring with a put pilot commitment to a drama about the 1980s professional wrestling boom that is executive produced by one of the biggest ’90s wrestling stars, Dwayne Johnson, aka The Rock. The fictional drama set in the world of wrestling in the ’80s hails from Bruckheimer TV, marking a departure from the company’s signature brand of procedurals. It will be written by Brent Fletcher and Seamus Kevin Fahey (Spartacus: Gods of the Arena), who will co-executive produce alongside KristieAnne Reed. Johnson, Bruckheimer and Jonathan Littman are executive producing.

The ’80s, often called “the golden age of wrestling”, marked a surge in the popularity of professional wrestling in the U.S. fueled by the growth of cable television and pay-per-view and the efforts of hot-shot promoters like Vince McMahon. During that period, pro wrestling shifted from a system controlled by numerous regional companies to a system dominated by two nationwide companies: Ted Turner’s World Championship Wrestling and McMahon’s World Wrestling Federation. It featured the launch of WrestleMania and the emergence of wrestling’s first crop of superstars led by Hulk Hugan. The project extends the popularity of period dramas among the broadcast networks, which have two such series, the 1960s-set Pan Am on ABC and The Playboy Club on NBC, premiering this fall. It also expands wrestling’s presence at NBCUniversal. NBC’s sibling network USA carries WWE Raw as well as the revival of WWE Tough Enough. This is the third sale and third put pilot commitment for Bruckheimer TV so far this development season. The company recently set up a Navy SEALs drama at ABC and a procedural about a mom-turned-New York State Trooper at CBS. Fahey, repped by UTA and Underground Films & Management, previously worked with Bruckheimer TV as a writer on the ABC series The Forgotten. Fletcher is with CAA.


Bruce Willis is on board for New Orleans-shot 'G.I. Joe 2,' co-star Dwayne Johnson confirms...

Rumors have been swirling for weeks involving Bruce Willis' reported negotiations to join the New Orleans cast of Paramount Pictures' big-budget, high-octane "G.I. Joe" sequel. This weekend, confirmation finally came -- from none other than "G.I. Joe: Retaliation" co-star Dwayne Johnson.

Johnson, who has been generous with the Twitter updates since arriving in town last month to begin prepping for the film, let the cat out of the bag Saturday (Aug. 20) with the following tweet:

"Welcome brother Bruce Willis to the cast of GI Joe! What an honor. #HeavyArtillery."

Paramount hasn't issued an official announcement yet, but Willis reportedly had been in talks to play Gen. Joe Colton, the character who started the G.I. strike team in the 1980s comic books and who is referred to by many as the "original" G.I. Joe.

He joins a cast that includes Johnson, as Roadblock; Adrienne Palicki, as Lady Jaye; and Channing Tatum, reprising his role as Capt. Duke Hauser from 2009's "G.I. Joe: The Rise of Cobra."

Jon M. Chu ("Step Up 3D," "Justin Bieber: Never Say Never") is directing.

It's only the latest in a string of recent New Orleans-shot projects for Willis, including "RED," "Looper," "Lay the Favorite" and "Fire with Fire."

The big-budget "G.I. Joe 2: Retaliation" started filming last week as part of an extended shoot that is expected to see it continue to Thanksgiving. The film is scheduled for a July 29, 2012, release.


Andre The Giant Slot Game Developed By NextGen Gaming

Legendary wrestler Andre The Giant now has his own slot game. The game was developed by developer NextGen Gaming. The slot game is expected to go live before the conclusion of this year and is tipped to be added to the portfolio of PartyCasino.com Media Man reports.

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Tuesday, May 29, 2012

2012 Hollywood Movies for Australian and American movie fans to get excited about

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"Sin City" Sydney has been a bit of a celebrity and media circus lately and there's more media and entertainment war, fun and games and the way soon. Australian and international media are all on the chase. Splash News, Snapper, TMZ, OMG, the Media Man agency - everyone is jockeying for position and exclusive news scoops.

Let's get ready to rumble. Here's some of the best Hollywood blockbuster movies coming up this year. We've got the U.S movie release dates, which in some cases will be the same as the Australian release date. Note: Some Australian release dates are likely to be a day or two after the U.S date.

Will the movies live up to their comic book or novel? The world is extremely keen to see how Baz's version of the "The Great Gatsby" (Dec. 25) literary classic matches up, but more on that and its star Leonardo DiCaprio later.

What many of this year's blockbusters are about is building on the brand and plugging into the news media machine. Most, like "The Twilight Saga: Breaking Dawn Part 2" (Nov. 16), "The Amazing Spider-Man" (July 3) or "Abraham Lincoln: Vampire Hunter" (June 22), are based on already mega successful brands. It's pop-culture realm stuff and plugging into established audiences.

Here's the list of some of this years most anticipated movies.

The Raven (April 27)

John Cusack as Edgar Allan Poe, detective – tracking down a series of murders in 19th-century Baltimore.

The Avengers (May 4)

Fans are into this big time. This Marvel flick puts Iron Man, Thor, Captain America, Hawkeye, Black Widow, Nick Fury and The Hulk together. Little wonder Marvel fans can't wait. Last Sunday Sydney's George St Event Cinema's even had a preview screening for lucky fans who won a competition, with many fans dressing up as their favourite hero. Talk about an Excelsior initiative.

Dark Shadows (May 11)

Tim Burton directs, Johnny Depp has a white face. Depp fans are going to see his films no matter what, so let's hope its good.

Snow White and the Huntsman (June 1)

"Snow White" is a long time fav of Hollywood. It's a sword-and-sorcery epic version of the Grimm fairy tale.

Prometheus (June 8)

A prequel of sorts to 1979's "Alien," with "Dragon Tattoo" lady Noomi Rapace as a space archaeologist who digs up trouble. Directed by "Alien" and "Blade Runner's" Ridley Scott, this is already getting fans in a frenzy.

Abraham Lincoln: Vampire Hunter (June 22)

It's bit of a cross-pollinating of geek and traditional culture. It will be an interesting contrast to Steven Spielberg's "Lincoln," arriving in December.

The Amazing Spider-Man (July 3)

It's been 10 years since the awesome original. Andrew Garfield plays Spidey and Rhys Ifans is The Lizard. Marvel Comic super hero movie fans are hoping they won't be disappointed and left in a spin.

The Dark Knight Rises (July 20)

Batman (Christian Bale) with villains Bane (Tom Hardy) and Catwoman (Anne Hathaway). DC Comic super hero fans have long deserved a quality remake, so hopefully this is in. Pow.

Frankenweenie (Oct. 5)

Tim Burton's full-length puppet-cartoon remake of his early short from 1984.

The Twilight Saga: Breaking Dawn Part 2 (Nov. 16)

The second part of the fourth instalment of Stephenie Meyer's girl-crush vampire series.

The Hobbit: An Unexpected Journey (Dec. 14)

It's J.R.R. Tolkien's "Lord of the Rings" prequel, directed by Peter Jackson.

The Great Gatsby (Dec. 25)

The fourth film version of the 1925 F. Scott Fitzgerald classic, directed by the Australian Baz Luhrmann ("Moulin Rouge!" "William Shakespeare's Romeo + Juliet") and starring Leonardo DiCaprio and Carey Mulligan. Millions of Australia's are hoping that Baz has done us proud.

Lincoln (December)

A Steven Spielberg historical epic, with Daniel Day-Lewis as the 16th president and Sally Field as Mary Todd Lincoln.

Movie speculation...

Now fans, can you just imagine what drama is going to hit Sydney if or when Dwayne "The Rock" Johnson or Leonardo DiCaprio come to Sydney later this year. Stranger things have happened, so here's hoping.

‘Bending the Rules’ stars former WWE superstar Edge...

It was 22 years ago when Edge sat in the Toronto SkyDome for WWE’s WrestleMania 6 with big dreams of joining his boyhood idol Hulk Hogan in the ring.

In the past year since his wrestling career ended because of neck injuries, Edge has tried his hand at acting. He can be seen in his first starring role in the movie “Bending the Rules,” a WWE Studios production that hits select theaters Friday, March 9. The “Rated R Superstar” plays Detective Nick Blades, a New Orleans cop on trial for corruption.

“I have kind of likened it to ‘The Big Lebowski’ in a way,” Edge said describing his character during a media tour in Miami.

“He is the Big Lebowski, but he can kick a--. I guess it’s kind of what sums it up. I wear a Hawaiian shirt, board shorts and flip flops and Mardi Gras beads for about a month-and-a-half down in New Orleans. A recurring theme throughout is that you will always see the character eating a lot of donuts. We ate a lot of donuts in that movie.

“I liked the character because it didn’t take himself too seriously. I don’t really take myself too seriously, so it wasn’t that much of a stretch for me.”

The former pro wrestler enjoyed the movie-making process.

“I did some of the action stuff,” Edge said. “The only thing I didn’t do was the accident. We kind of had a head on kind of deal, and I guess they didn’t want me to do that because I had to go to Raw the next day. I guess they didn’t want me to do the whole, ‘He can’t wrestle because he just got whiplash.’

“Beyond that I did everything else. It wasn’t too in-depth or anything because it’s more of a buddy flick than it is action, but there is a little bit of action to it.”

Among the other cast members is Jamie Kennedy, Alicia Witt, Jennifer Esposito and accomplished actress Jessica Walter, who has recently done voice work on the animated series “Archer”.

“Philip Baker Hall was big for me, especially being a ‘Seinfeld’ fan. Lt. Bookman was one of my favorite, probably my favorite character in ‘Seinfeld’ actually. So when I saw I was sharing scenes with him I thought, ‘This is awesome.’ He is a really funny guy. His delivery is amazing. He is such an underrated actor to some people, but there are some people who know what he can do.”

“Jessica Walter I didn’t know what to expect,”Edge said. “Here is this proper actor or actress who shared the screen with [Clint] Eastwood. I was like, ‘I don’t know what I am doing. She is going to be sick of me right from the get go.’ But she could not have treated me better. Everyone was very understanding to the fact that I was in way over my head and having no idea what I was doing. So they were very gracious and respectful.”

Those who have seen “Highlander: Endgame” may remember Edge’s cameo. However, the budding actor says it didn’t prepare him much for “Bending the Rules.”

“That was 12 or 13 years ago, and that was basically a fight scene,” Edge said.

“I flew to Romania for that, but it was entirely different. At that point WWE was even new to me, so it was like what is happening? This was much more involved, I guess, being one of the stars of the movie. Being expected to learn a bigger part and not knowing what I was doing.

“My only real preparation has been WWE, which prepares you to adlib and comedic timing and those things. In respect to being able to think on your feet, I was able to bring that into it. But still my first day of shooting, in the first scene I had shot, I had just come from SummerSlam in LA…We did two Raw shows that day, so right after that I hopped on a jet to New Orleans, landed at 4 and was on set at 6 with Jennifer Esposito, having no idea what scene we were doing.

“I didn’t know what lines to study, nothing. This was my first real scene in the movie, and I was like ‘No, they are going to think I am such an idiot.’ I got it over with. Then I thought that once I got that over with, I thought, ‘OK, I might be able to pull this off.’"

Edge never really had his Hollywood in his eyes. His dream was always being a WWE superstar.

“Wrestling took up the radar for me,” Edge said. “That was always my priority, and if other things fell in my lap, then great. The ‘Highlander’ thing or any other thing that has come into my lap has always been because of WWE and that exposure. Then I got approached to do this movie by WWE and thought, ‘This could be fun. I’ll give it a shot. Why not?’"

The film was shot before his recurring role on the SyFy original series ‘Haven,’ which gave him an idea of what to expect on theseries. He says he is returning to the character Dwight Henrickson for the upcoming season.

“By ‘Haven,’ through the experience of ‘Bending the Rules,’ I felt much more comfortable,” Edge said.

“Then going back this year for ‘Haven’, I will have much more understanding. Even with just the lingo like turning around. I know what that means now. I know I don’t have to stand there for 45 minutes while they switch everything out, and I can go grab a cup of coffee. Little things like that was all a learning process.

“Now that I can’t wrestle I think it would be cool to play a Viking in ‘Game of Thrones’ or something like that. I think I could sink my teeth into something like that. I also have a bit of a vampire experience or arch-villain or something. That would be fun…I just want to enjoy retirement, and at the same time do some stuff to stay creatively stimulated.”

Since his life on the road and traveling the world wrestling are over, his outlook on life has changed.

“Before it was WWE and that was my main priority,” Edge said. “It always has been and always would have remained that, but you still have to do something so you just aren’t home twiddling your thumbs all day. I think last year with ‘Haven’ it was going to Nova Scotia for the summer and getting to do this new kind of thing that was fun. I’m going up again this summer, and if things happen after that, then great.

“It’s not like I am going to consider myself an actor. I say more power to [The Rock]. I think it was awesome he was able to parlay it and translate it, but I don’t think I would be able to do it at that kind of schedule or want to. I like having my own time and then on the horizon say, ‘OK, I have that in a couple of months. Cool.’ Then I go do it, have some fun with it and be able to go back home.

“I already was lucky enough to do the job that was my passion. Everything I do from here on out is just going to be fun. It’s a good place to be. I’m not going to lie. It’s nice to have the luxury to enjoy everything I’ve done my entire adult life.”

To watch the trailer of “Bending the Rules” or to find a theater near you showing the film or get more information, visit http://www.bendingtherulesmovie.com


Dwayne "The Rock" Johnson And Mark Wahlberg Team Up for Pain and Gain; 2013 Release...

Mark Wahlberg is in top shape, but next to 'The Rock' he looks kind of small. Put six-foot five-inch Dwayne "The Rock" Johnson next to him, and Mark (5' 8") looks sort of average.

Wahlberg and Johnson are currently filming "Pain and Gain" in Miami. The film centers on two bodybuilders who get caught up in an extortion ring and a kidnapping scheme that goes terribly wrong. The film is set for release in 2013.

That's it movie and music fans. Stay tuned to Media Man and Street Corner for more entertainment news and scoops daily.

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The gambler who hasn't made the list - yet; A serious man; When the crowd funds a flop, what next?

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The gambler who hasn't made the list - yet - 24th May 2012


An honorarble mention in this year’s Rich 200 must go to David Walsh. While his estimated wealth falls short of the $210 million cut-off in this year’s ranking, the Taswegian stands out this year for his ability to make Australians feel uneasy.

It’s not just the contents of his Museum of Old and New Art (Mona), perched on the banks of the Derwent River just outside Hobart, with its excrement-producing Cloaca exhibit, display of human ashes and artist Chris Ofili’s The Holy Virgin Mary depicting the mother of Jesus surrounded by female genitalia and including elephant dung that will discomfort some.

It is the fact that in a year when arguments about gambling reforms have drawn vicious lobbying from the pubs and clubs industry and threatened to bring the machinery of parliament to a halt and when there’s growing concern about gambling generally that Walsh has so overtly used a fortune accrued from wagering to build a temple to art – celebrated by many of the same people who decry gambling.

In fact, the country’s largest private museum, which opened early last year, has contemporary Australian art fans salivating. Its contents include Sidney Nolan’s Snake, a 46-metre-long, nine-metre-high collation of 1620 different painted panels, and works by Brett Whiteley, Arthur Boyd, Charles Blackman and Russell Drysdale. Mona also treads solidly into ancient territory with the mummy and coffin of Pausiris and a cast bronze votive figure of Isis and the Infant Horus, from 600-300BC.

The public loves it. Mona drew more than 330,000 visitors last year – almost half from outside Tasmania. The collection is doing great things for tourism to the Apple Isle and for Australia as a whole.

“The only time I can think of in recent history that [we had] something this big, audacious, generous and gifted was probably in America,” Edinburgh Festival director Jonathan Mills gushed last year. “It’s the Getty, the Guggenheim, it’s on that level.”

And yet, revelations that Walsh’s $175 million project was funded in part by his friend and fellow gambler Zeljko Ranogajec, whose gambling syndicate makes money out of the rebates that totalisers give in exchange for placing large bets – reducing the pool of winnings for ordinary punters placing smaller bets – only adds to the unease.

It’s no doubt a contradiction the private Walsh enjoys. If he were a miner or industrialist, his generosity would be unambiguously celebrated. That’s the sort of background Australia has come to expect of its arts patrons. Still, taking from the poor and giving to middle-class causes is something state-owned lotteries have always done. Walsh could argue he is doing the redistribution more directly, by cutting out the need for a lot of grant applications. Or he might not.

“I invent a gambling system,” Walsh writes in the introduction to his book Monanisms. “Make a money mine. Turns out it ain’t so great getting rich using someone else’s idea. Particularly before he had it. What to do? Better build a museum; make myself famous. That will get the chicks.”

The extent of Walsh’s own fortune is unclear. He has a collection of properties in and around Hobart, one of which he co-owns with Ranogajec, along with the premium Moorilla Estate winery and vineyard and Moo Brew brewery.

It remains to be seen how Walsh views his own cash flow. Is Mona, with its stated $100 million worth of artworks, simply vanity spending? Is Walsh a patron in the traditional sense or should this be seen as an initial investment into a new realm of money-making ventures?

Features of the museum, with its iPod-based self-guide system, which explains exhibits while simultaneously collecting useful data for curators on what visitors are viewing and the length of time they spend at each artwork, along with a bar in the museum selling Moo Brew beers and Moorilla wines lend themselves to replication. A side project is the 10-day Mona Foma (Festival of music and art), which this year ran for the fourth time.

It may all be just another investment. The 50-year-old Walsh has already said in interviews he intends to exploit his high-profile attraction.

“I want to use Mona as a marketing tool to drive some products that I hope will make some serious money.” (Fairfax Media)


A serious man - 28th May 2012...




Tom Waterhouse just lost $400,000. It's 2.25pm on a Saturday in Melbourne and Waterhouse is working, with 20 of his staff, in his weekend "office", a gloomy bunker at Moonee Valley Racecourse. The course itself is a ghost town - there are no races here today - but the bunker, a low-ceilinged and exceedingly unglamorous space, is animated by the kind of urgency you see in a termite colony that has just been kicked. There are lots of computers, screens, mobiles, TVs tuned to six race meetings, and young guys with fashionable facial hair - Waterhouse's "wagering officers" - who yell out stuff like "The eight in Sydney to win $5000" or "$4000 each way on Top Fluc One!"

At the centre, meanwhile, is Waterhouse, standing at a high table, sucking on a vitamin C tablet. He is dressed in a dark-blue suit and mint-green tie. His eyes are blue, his skin pale, his teeth ruler straight and pearly white. On the table before him are four computer screens and 10 mobile phones, the numbers of which are known only to VIP clients, 100 "high net worth individuals" whose minimum bet is $1000. He won't tell me their names or, in fact, anything about them, except that all but one are men.

The first thing you notice about Waterhouse is that he is the exact opposite of what you expect. He doesn't drink alcohol or coffee, nor does he smoke or swear. Instead, he says "Oh, gosh". He is distractingly, almost distressingly polite: "When I first met him he was so nice I thought he was taking the piss," his marketing manager, Warren Hebard, tells me. Above all, he does not get ruffled. Getting ruffled would indicate either a lack of control, which he has in spades, or a surfeit of emotion, which he hasn't. And yet, like his mega-risk-taking grandfather, Bill, Waterhouse is known for taking on the biggest punters, for winning and losing bathtubs full of money in the course of an afternoon. In 2008, he lost $1.175 million in 10 minutes, only to make it all back by sundown. Not long after, he lost a further $2 million (for good, this time). When, this afternoon, it becomes apparent that he has just done $400,000 on one race, he issues only the slightest wince, pops another vitamin C and returns to his screens.

Waterhouse, who turns 30 this June, is the managing director of www.tomwaterhouse.com, one of Australia's largest corporate bookmakers. The company, which has offices in Sydney, Melbourne and Darwin, offers odds on not only thoroughbreds, harness racing and greyhounds but also on rugby league and rugby union, cricket, tennis, Australian rules and, as Hebard puts it, "every other sport you can think of, from Swedish handball to two flies crawling up a wall".

Waterhouse makes the most of his family name, which has been intimately associated with bookmaking and horse racing for 112 years. (His father, Robbie, still works as a bookie; his mother, Gai, is a celebrated trainer.) But his real business is in creating as many markets as possible for punters to wager on: Waterhouse now offers odds on everything from who will win Dancing with the Stars and the Miles Franklin Literary Award to the final sale price of painter Edvard Munch's masterpiece, The Scream. "As long as it meets my licensing conditions and it passes the smell test, meaning it's not too weird, I will bet on anything," he says.

Perhaps more than any other bookie, Waterhouse embodies the changes that have recently transformed Australian gaming. Ever since the easing, in 2008, of regulations governing cross-border betting and gambling advertisements, overseas and domestic bookmakers have been battling each other for a piece of the local market, where punters wager more than $20 billion a year. Corporate bookmakers such as the foreign-owned SportingBet and SportsBet barrelled in, going toe to toe with on-course operators, including Waterhouse, who had been working "on the rails" since 2003, building his VIP business under the tutelage of father Robbie and grandfather Bill. By 2008, Tom was Australia's biggest on-track bookie; at the Melbourne Cup that year, he held more than $20 million over four days, more than all the other bookies combined.

But there is only one Melbourne Cup a year. Thanks to the advent of pay TV and online gambling, normal race-day attendances plummeted throughout the 2000s. "I haven't been to the races in three years," Waterhouse says. "It's dead. At the same time, I realised people still want to have a punt, they just wanted to do it from their couch or on their iPhone."

And so, in 2010, Waterhouse launched his online business, which he promoted in a multi-million-dollar campaign of free-to-air, print and online advertisements, including paying $70,000 to have his face plastered on a Melbourne tram. The company now has 80,000 clients, boosted by the purchase last year of the databases of two corporate bookmakers who had recently gone bust. Waterhouse employs 60 staff, and is recruiting overseas for 40 more. Robbie Waterhouse calls the strategy "growing broke", explaining, "The business is expanding at such a rate that it requires every dollar Tom has."

According to Warren Hebard, the marketing spend is now $20 million a year, a mere fraction of company turnover, which he puts in the "hundreds and hundreds of millions".

Recently I had dinner with Waterhouse at Nobu, a Japanese restaurant in Melbourne's Crown complex, where he lives in a $1900-a-night villa apartment on the 31st floor. Waterhouse has a perfectly acceptable home in Sydney - an apartment in Balmoral on Middle Harbour, just around the corner from his parents, that he bought in 2009 for $3.5 million. But Victoria's more favourable gambling laws mean he spends half his life south of the border, necessitating a yoyo-like schedule of at least three business-class flights to Melbourne and back a week. Such an arrangement is fine for now - he and wife Hoda Vakili, whom he married last year, don't have any children, a situation Waterhouse plans to remedy.

"I want to have six kids," he says. "As soon as possible."

"Seriously?" I ask.

"Seriously," he says.

Thanks to his 2006 appearance on Dancing with the Stars (he was knocked out in the third round), and his frequent partying with the likes of Charlotte Dawson and Tim Holmes à Court, Waterhouse has become known as something of a red-carpet junkie. He certainly knows how to spend his money: there are the skiing trips to Aspen, the holidays in Italy and, of course, the yearly pilgrimage to London, where he attends Royal Ascot and picks up a new suit from his father's tailor in Savile Row. His marriage last year was similarly five-star: bucks' and hens' nights in London, ceremony in the Sicilian seaside town of Taormina, followed by, as one newspaper put it, "lunch in Switzerland" and the honeymoon in Monte Carlo.

Not surprisingly, plenty of people don't like Waterhouse. The consensus is that he is too rich, too young and too lucky. Others don't like the fact he's a bookie. "Self promoter, making $ off the misery of others," one tabloid newspaper reader commented after an article on him last year. When news emerged that Vakili had undergone emergency surgery in January after injuring herself in Aspen, readers responded with an outpouring of indifference: "Should wipe the smug smile off their faces for a few weeks at least," one wrote.

I'm as jealous as the next guy, but "smug" isn't the right word for Waterhouse, who, in person at least, is self-effacing to the point of invisibility. He is softly spoken and reflexively formal. "Mum thinks I dress very boringly," he says. "Always in a dark suit and white shirt." When he was nominated for the Cleo Bachelor of the Year Awards in 2005, he was one of only two people out of 50 who opted to keep their shirts on for the photo. (The other was Guy Sebastian.) For now, he says, his life is defined by work: he goes to bed at midnight and rises at 7am, and takes only one day off a week. "Until I was married I worked seven days a week," he says. "Even when I'm on holidays I'm on my computer six or seven hours a day."

He is partial to fast cars: he has owned a Porsche 911 and currently drives a silver Mercedes SLS Gullwing (retail price: $496,000). But to picture him driving it fast, let alone crashing it, is to picture the Pope smoking crack. His optimum mode of relaxation is going to the movies with Vakili, which he does at least once a week. "We'll get the choc tops, a Slurpee," he says. "It's really great."

He also likes tennis, though playing him requires a certain kind of patience. "This is the problem with Tom at tennis: he is so formulaic and robotic," friend Jason Dundas says. "He never goes for a winner, because he knows the formula is that whoever can hold the rally longest wins. And so he plays the game to never hit a foul, and just hits these lollipops; he never goes for that Rafael Nadal cross-court winner because he knows that the chance it will go out is higher than it will go in, and he calculates that all in his head and wins the game every time. It's so annoying."

It's impossible to separate Waterhouse from his family, which has, since the First Fleet, shown a Flashman-like knack for controversy. When Governor Arthur Phillip was speared by Aborigines at Manly in 1790, it was Lieutenant Henry Waterhouse who was there to pull out the spear; Henry also brought the first thoroughbred racehorse to the colony, along with the first merino sheep. Later the family operated a Sydney ferry service, ran pubs and a sly-grog operation, even dabbled in opium smuggling.

The first bookmaker in the family was Charles Waterhouse, who got his licence in 1898, but it was his son, Bill, who would take it to another level. Through a combination of brains, balls and ruthlessness, Bill, who had initially practised as a barrister, became arguably the world's biggest gambler, a "leviathan bookie" who in the 1960s took on high-stakes punters like "Filipino Fireball" Felipe Ysmael and "Hong Kong Tiger" Frank Duval in million-dollar betting duels.

With his suit, hat, tote bag and cigarettes - 100 a day at one stage - Bill, who turned 90 this year, epitomised the old-style bookie. In his autobiography What Are the Odds?, he writes about arming himself with a .38 Smith & Wesson in the 1970s, and about his various entanglements with gangster George Freeman, "marijuana salesman" Robert Trimbole and the late Kerry Packer, who apparently died owing him $1 million. ("You can go and get f...ed and whistle for it," Packer reportedly told him. "You'll get nothing from me.")

"I don't pretend to be Simon Pure," Bill Waterhouse writes. "I have sometimes cut corners to get what I needed, but I am certainly no crook." Yet his name has been associated with virtually every scandal in horse racing bar the death of Phar Lap. Chief among these was, of course, the Fine Cotton affair of 1984, in which a handy sprinter named Bold Personality was painted with Clairol hair dye and substituted for a weaker horse called Fine Cotton. Bill and son Robbie, who had put money on the horse, were both charged by the Australian Jockey Club with "prior knowledge" - something they have always denied - and banned from racetracks for 14 years.

Tom insists he can't remember much about it: "I was two years old!" he tells me. Nor did it feature much in conversation. "It's a little bit like religion; I try not to bring it up."

It's tempting to see in the younger Waterhouse a reaction, conscious or otherwise, to the family's picaresque backstory. But it seems Tom has always been serious. Like his father before him, he attended the elite Sydney private school Shore. But where Robbie had gained a name for running a student betting ring, Tom became a senior prefect and house captain. "He is a seriously, like very, very, very ambitious guy," long-time friend David Chambers says. "He controls his emotions, he doesn't let them control him."

Chambers, who grew up around the corner from Waterhouse, says "Tom was always super competitive ... and a little bit bizarre. One day he came to school and said, 'You guys are all taking sick days: that's soft. I am never going to take a sick day.' He just thought it would be fun. And we were all like, 'Yeah, whatever.' But he never did, the whole time we were at school."

Horse racing dominated the Waterhouse home. "It was always discussed around the dinner table," Robbie says. "Every aspect of it." Tom got his first horse, a Shetland pony, for Christmas when he was five. Yet he had no interest in an on-course career. Instead, after school, he started a commerce degree, majoring in finance and marketing, at Sydney University. "I wanted to go into finance," he says. "It seemed like a good industry to be in."

Then one day in 2001, Robbie asked him if he'd come and "help out on the bag" at Rosehill. "Within about 20 minutes I was hooked," he says. Waterhouse was only six months into his course, but he immediately rearranged his timetable, moving his classes to Monday and Tuesday so that he could attend the races for the rest of the week. He got his licence for the dogs, then for thoroughbreds. Coming from racing royalty had its advantages. Gai, daughter of legendary trainer Tommy J. Smith, taught him horses; Robbie taught him analysis. ("Dad still gets up every day at 3am so he can do seven hours studying all the results and times.") And Bill showed him how to gamble. (Bet bigger if you're winning, smaller if you're losing, and always keep an eye on cash flow.)

Yet there were mishaps. In 2007, one of Waterhouse's biggest punters, the CEO of a big listed company in the US, placed a bet with him of $1.2 million. As he had never taken a bet that big, Waterhouse laid off the risk by "betting back" $800,000 with other bookies. When the CEO's horse lost, "I thought, 'Oh gosh, I've won $400,000! I'm going to buy a Ferrari!' But come Monday I had to pay $800,000 to those other bookies while my guy took the knock [refused to pay]."

Waterhouse pursued the debt through the courts, but has never got all of it back. (Courts are a recurring motif with bookies. In 2010, Waterhouse was in the Federal Magistrates Court chasing $2.6 million that he said Sydney businessman Andrew Sigalla owed him. And in January this year he placed a caveat over brothel-owner Eddie Hayson's Parramatta Road business, Stiletto, as security for $1 million in gambling debts.)

The movement of money away from the track and onto the internet has done much to sanitise racing. "In the days of the SPs, if you took the knock they'd come round and cut your toes off," veteran race writer Max Presnell says wistfully.

The perils of 21st-century gambling are more prosaic. Addiction. Bankruptcy. Family break-up. Waterhouse was raised in a religious household. "We went to church every Saturday night," he says. "I still pray occasionally, just to reflect on family and loved ones." But the moral dimension of his business doesn't trouble him. "I always say to people who bet with me, 'Anything in excess is bad for you: shopping, eating, gambling.' "

When in doubt, he invokes what he calls The Toilet Test: "If you feel uneasy about the bet, if you need to duck off to the toilet all the time, then you're betting too much. It's like anything else - if you feel uncomfortable doing it, chances are it's not a great thing to be doing."

The boardroom of Waterhouse's North Sydney office is an impressive space: there's a giant antique table, a cabinet full of trophies and a life-sized portrait of Bill Waterhouse, form guide folded under his arm, standing beneath the Harbour Bridge. Tom is explaining how he prices his odds when I spot, high up in the cabinet, Bill's original white leather tote bag.

"Do you want to see it?" Tom asks excitedly.

"Yes," I reply, imagining it to be full of interesting stuff: betting stubs, track programs, old pencils worn to the nub. But when Tom opens it up, it's empty. "Oh," I say, disappointed.

"It's basically just like a big purse," Tom says. "That's the way it worked." (Fairfax Media)


When the crowd funds a flop, what next? - 29th May 2012


Backers of high-tech video glasses have had enough of waiting for their crowdfunded returns.

Crowdfunding website Kickstarter was used to raise $US340,000 for a project to build a pair of HD-video recording glasses, but almost a year on, people who invested in the project have not received their products and the project creators have seemingly disappeared.

Kickstarter has denied responsibility for a growing number of apparently failed crowdfunding projects, but donors who claim to have been ripped-off are fighting back.

Crowdfunding is a way for individuals to make their dreams a reality, as touted by websites like Kickstarter and IndieGoGo which provide the social media tools to tap friends, family, and their extended networks for the capital needed to build a product.

In the embryonic stages the quirkier ideas garner media attention and are oversubscribed, often raising more money than initially requested.

While the success stories are well-documented, there is a growing list of stillborn projects where money has been collected by the project owner (95 per cent) and by Kickstarter (five per cent) but donors haven't received their promised returns.

The websites stress the responsibility rests with the project owner and the donor - they shy away from calling them "investors" as this would attract different regulatory compliance - but some frustrated donors are taking action.

The ZionEyez project trajectory is typical other Kickstarter consumer tech product success stories, but so far it doesn't feature the same happy ending.

The four founders asked for $US55,000 to build Eyez, a pair of glasses that could record HD video. After extensive media coverage (including by Engadget, Mashable, Forbes and Rolling Stone) it raised $US343,415 from 2106 backers when the funding round closed on July 31.

Since then the founders have missed the original delivery deadline of the northern "Winter 2011" and donors' growing concerns over product delivery are not being directly addressed.

There are more than 850 comments on the project page, some asking for a class action, and including one donor's correspondence with ZionEyez.

"Thanks for reaching out to us. We will be releasing another engineering update for our KS Backers in the near future. Thanks for your patience and support!"

Bill Walker was one of the donors who committed the $US150 required to secure a pair of the glasses.
In an attempt to claw back the donations he built the site zionkick.com to organise legal action against the founders of the ZionEyez project.

They must provide a reasonable time for the product to be delivered, he said.

"At the present time we (interested backers) are playing the waiting game," Walker wrote via email. "We have to give them a period of time in which to perform before filing fraud charges. When a period of time elapses that would satisfy the legal eagles...then we attack. Until then we bide our time."
"Their attorney CEO knows the heat is on so he might be insisting they produce something, even if it's on the level of the $US59.95 products currently on the market. Produce anything that will satisfy the spirit of what they said they were going to produce.

"In the meantime Kickstarter takes their 5 per cent and insists the backer is totally responsible for vetting the money grubbers."

Kickstarter did not respond to specific questions about whether it would intervene in the ZionEyez project, and pointed to their frequently asked questions (FAQ) page which says the creator is responsible for fulfilling a project's promise.

"Kickstarter doesn't issue refunds since transactions are between backers and creators, but we're prepared to work with backers as well as law enforcement in the prosecution of any fraudulent activity. Scammers are bad news for everyone, and we'll defend the goodwill of our community."
ZionEyez did not respond to requests for comment.

Crowdfunding projects fall outside the general consumer protections afforded by the Australian Consumer Law and NSW Fair Trading's jurisdiction, according to a Fair Trading spokesperson.

This is because the project is not a form of business trading, and a consumer-supplier relationship does not exist. The risk is amplified when dealing with international sites, the spokesperson said.
"Whenever dealing with an entity that is from outside Australia, consumers should be aware that should something go wrong, redress can be much more difficult to achieve than when the trader is domestically-based," the spokesperson said.

Donors do have some avenues for legal recourse but this could be expensive, according to Rouse Lawyers special counsel Kurt Falkenstein, who specialises in start-ups and has helped some raise money via crowdfunding.

The crowdfunding websites should take responsibility, he said.

"The principles of contract law still apply to crowdfunding – and if you misrepresent or falsify information that induces someone to enter a contract, you are liable – so the terms and conditions of the crowdfunding platform are vital," Falkenstein said.

"The hard thing with contract law is enforcement – are you going to go to court over tens or hundreds of dollars?

"Consumer law may apply where goods or services are promised but not delivered – you can't promise to provide something and not do it – but then you are relying on the ACCC.

"For me, if hundreds or thousands of people are ripped off, the platform should help those people band together and enforce their rights."

There is always a risk that these websites can be exploited, according to Alan Crabbe, co-founder of local crowdfunding website Pozible. He did not respond to a question whether the site had any undelivered projects.

There are safeguards against this, including filtering projects based on national/state investment laws, checking the project creator and holding photo ID, and tracking unusual activity on projects, he said.

Crowdfunding websites are not legally responsible for failed projects, according to StartSomeGood.com co-founder Tom Dawkins, but this does not mean they won't be judged in the court of public opinion.
The key is to curate the projects , he said, so the sites, project creators, and donors are ensured of the greatest chance of success.

"We don't believe we are legally or functionally responsible but, after the project concludes, we know people will hold us responsible anyway."

"We reject a lot of projects because they're too fantastic and unachievable. We try and make sure that we do feel proud of every project on our site, that we feel comfortable and stand by it."

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Monday, May 28, 2012

2012 WSOP Day 1: Saechao, Routos Dominate Casino Employees Event

2012 WSOP Day 1: Saechao, Routos Dominate Casino Employees Event; Marcelo Ramos Da Fonseca Wins 2012 LAPT Punta del Este


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The weeks of anticipation are over. It’s time for everyone to calm their “inside tinglies.” The 43rd Annual World Series of Poker is underway! As is the tradition, the first and only event to kick off Sunday was the Casino Employees No-Limit Hold’em event. While it is a gold bracelet event, it is different from most WSOP tournaments in that it is not an open event in which anyone and everyone can participate. As its name implies, only those who work at a casino may enter. That does not stop it from being a large tournament, though, as 732 players paid the $500 for a shot at glory. Ending the first day atop the chip counts are Chip Saechao with 150,600 chips and James Routos hot on his tail with 146,900.

Both of our chip leaders, who coincidentally were seated at the same table, made their big moves to the top of the leader board late in the night during the 11th and final level of Day 1. Saechao went first, opening a hand for 4,200 chips (blinds and antes were 800/1,600/200) from the button. After both blinds called, the dealer laid down a flop of 2♠-8♥-9♥, prompting the small blind to bet 6,000. The big blind, who happened to be Routos, tossed away his hand and Saechao ratcheted it up to 16,000. The small blind called and the two players saw a turn of 3♠. The small blind checked this card, but Saechao did quite the opposite, moving all-in for more than 40,000 chips. Seeming to know his opponent was on a draw, Saechao told him, “Trust me, it’s not coming.” Despite the warning, his opponent made the call, revealing that he did indeed have a draw, holding A♥-4♥. It was a great read by Saechao, as he himself only had 6♣-8♠ for middle pair. The river was the 3♦, giving Saechao the hand and a significant pot. At that point, his stack was up around 110,000 chips.

Just a few hands later, it was Routos’ turn. The details from those on the scene are a bit sketchy, but Routos and one other player saw a flop of Q♣-3♥-7♠. Routos checked, the other player bet 7,000 and Routos called. The turn was the 7♥ and Routos checked once more, but this time he check-raised his opponent’s 12,000 chip bet up to 30,000. That was enough for the “other guy,” as he laid down his hand, giving the pot to Routos. At that, Routos took over the chip lead with a 150,000 chip stack, but as we know, Saechao regained it before the night was over.

With 732 players, the prize pool for Event #1 is $329,400 (7 percent of the buy-in is taken out for entry fees and 3 percent is taken for the tournament staff). Just 46 players remain, all of whom have already made the money, as the payouts extend down to 81st place. The eventual winner will receive $70,859. The remaining players will resume play in the Amazon Room at the Rio at 1:00pm local time. Tournament Director Jack Effel estimates that another 11 to 12 more levels will be needed to complete the tourney, so it will be a long night for the last few players. The plan is for Day 2 to be the final day, but if it’s not over by 3:00am, a third day will be added. The final table will be streamed “almost live” on a five minute delay at WSOP.com.

2012 WSOP Event #1: Casino Employees No-Limit Hold’em – End of Day 1 Chip Leaders

1. Chip Saechao – 150,600
2. James Routos – 146,900
3. Matthew Wilmot – 122,800
4. Don Michael – 110,200
5. John Vohs – 102,300
6. Ray Pulford – 91,100
7. Carisa Schweisberger – 76,400
8. Joshua Murray – 72,400
9. Joseph McCarthy – 71,100
10. Ty Stewart – 69,900

Marcelo Ramos Da Fonseca Wins 2012 LAPT Punta del Este

While the focus of the poker world is now set squarely on Las Vegas and the 2012 World Series of Poker (WSOP), there are still other live poker tournaments taking place all over the world. One of them, the Latin America Poker Tour (LAPT) Punta del Este stop, wrapped up Sunday with Brazil’s Marcelo Ramos Da Fonseca topping the 375 player field to take down his first ever live tournament title and $144,240.

If you skipped down to the list of final table payouts, you may notice that there is a significant gap between the money awarded to Pablo Joaquin Melogno in 4th place ($60,420) and Francisco Baruffi Neto in 3rd place ($116,240). This is the result of a deal made amongst the top three finishers when they all held approximately equal chip stacks. They didn’t start three-handed play like that, but after double-ups by both Fonseca and Baruffi probably made the three men realize that the tide can turn any which way that late in the game, regardless of any individual player’s skill.

Baruffi was the one to broach the topic of a deal after he doubled through Angel Guillen, suggesting they split the remaining prize pool three ways. This would have given each just shy of $129,000, close to the $133,688 that would have gone to the second place finisher without a deal. In the end, they agreed to each get $116,240 and play for the remaining $38,000.

Shortly after the deal was settled upon, Guillen crippled Baruffi, leaving him with barely more than a big blind. The next hand was Baruffi’s last, as his A♥-5♠ fell to Fonseca’s 9♠-9♣.

Going into heads-up play, Fonseca had a moderate chip lead, 4.1 million to Guillen’s 3.5 million. The two men then decided to adjust the previous deal, allotting $28,000 of the $38,000 left on the table to first place and the remaining $10,000 to second place.

Fonseca never gave up his lead for the entire hour and a half duration of the one-on-one match. Because of the cautiousness of both players, though, he also never stretched the lead to the point where a victory looked completely inevitable. But just like that, it ended.

Fonseca made a min-raise pre-flop to 200,000 and shockingly, Guillen moved all-in for 2.8 million. Fonseca called immediately with A♣-K♥, obviously happy to see Guillen’s A♠-9♣. The flop of T♥-7♠-J♠ gave a tiny bit of extra hope to Guillen, as he now had a gutshot straight draw, but neither the turn nor river helped at all and Marcelo Ramos Da Fonseca was the LAPT Punta del Este champion.

This win almost double’s Fonseca’s total career earnings in live tournaments. He had gone into the final table with six lifetime cashes for a total of $171,896.

2012 LAPT Punta del Este – Final Table Results

1. Marcelo Ramos Da Fonseca – $144,240
2. Angel Guillen – $126,240
3. Francisco Baruffi Neto – $116,240
4. Pablo Joaquin Melogno – $60,420
5. Ivan Luca – $46,000
6. Osvaldo Silvio Resquin – $35,970
7. Vladimir Dobrovolskiy – $26,770
8. Guido Ruffini – $20,080
9. Carlos Leoncio Mironiuk – $15,390


WSOP Unveils 2012 Bracelets - 20th May 2012

With the 43rd Annual World Series of Poker (WSOP) just a week away, it is only appropriate that the new bracelet has been officially unveiled. After all, it’s the one thing by which poker players measure their success (we suppose one could count that whole business of cash winnings, too). This year’s designer is Jason Arasheben, perhaps better known as “Jason of Beverly Hills.”

Considering Jason of Beverly Hills’ reputation for creating gaudy, over-the-top pieces that can be seen from the moon, the bracelet is relatively tame. Make no mistake, though – it will still grab attention more than last year’s simple, gold piece of jewelry created by OnTilt Designs. The bracelet is gold, of course, with a very smooth look. The four playing card suits are represented in each corner of the bracelet’s face, with the heart and diamond comprised of white diamonds and the spade and club appearing to be made up of black diamonds. A raised World Series of Poker logo adorns the center of the bracelet face, enhanced by color to make it stand out.

But that is just the bracelet for the 66 preliminary events. Jason of Beverly Hills will also be creating the 2012 WSOP Main Event bracelet, which he promises will be a sight to behold.

“We are honored to have the opportunity to create this masterpiece for the World Series of Poker and it will go down as the most expensive piece of championship jewelry across all major sports,” said Jason of Beverly Hills about the WSOP Main Event gold bracelet. “We will tour this bracelet in our Las Vegas and Beverly Hills boutique so the world can bear witness to this historic work of art.”

The four card suits will be in their normal colors, with the heart and diamond formed by rubies and the spade and club created with black diamonds. All told, the Main Event bracelet will contain over 160 grams of 14 karat gold and over 35 carats of flawless diamonds.

“Blinger is Better,” said WSOP Executive Director Ty Stewart in a press release. “Jason grasped the heritage of WSOP bracelets, but was only interested if he could take it up several notches. This is a trophy that truly embodies the promise of today’s WSOP – seemingly unthinkable dreams are dealt each year. I challenge anyone to keep a poker face when they see this bracelet in person.”

Jason of Beverly Hills started his business as a student at UCLA, selling silver trinkets to fellow students, and eventually grew it into the go-to source for amazing diamond creations for the world’s biggest celebrities. He has created pieces for the likes of LeBron James, Michael Jackson, Tom Cruise, Jennifer Lopez, Mariah Carey, Sean “Diddy” Combs, and even Middle Eastern royalty. The pendant he made for Lil Jon was named the largest in the world by Guinness World Records. (Poker News Daily)

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Saturday, May 26, 2012

Media Man News Update: Movies, Gaming, Casinos, Politics, Australia, Hollywood...

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Worldwide Satellite Trailer Debut: “The Great Gatsby”; YouTube Warner Bros. Pictures

Australian Government may legalise live online gambling; NRL, Crown Limited; The Star, Marvel Games

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Labor and Communication Minister Stephen Conroy under attack over internet gamble

Russell Crowe Feared He Was Target of 'Hit'

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TNA claims WWE tried to poach its wrestlers

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TNA Files Lawsuit Against WWE, Ric Flair Mentioned In Suit

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Australian tourism can be saved by Chinese middle class to large casinos; Melbourne, Perth, Sydney

Wrestling with face paint, bodyart and human statues; Ultimate Warrior, Sting, Jeff Hardy...

What the Media has said about wrestling over the years

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Friday, May 25, 2012

PartyCasino Wins Media Man 'Online Casino Of The Month' Award; Promotions

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Monday, May 21, 2012

Gambling on advertising billboards in Sydney NSW; Packer and Singleton: You Bet, by Greg Tingle

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With the 'Mad Men' TV series all the rage in Australia, Hollywood and all points in between, we thought the timing was excellent to bring you up to speed on some roadside advertising news in Sydney, Australia.

A mega cashed up company part-owned by media tycoons James Packer and John Singleton has started to cash in on major Sydney motorways, headed up by the M2 motorway.

Construction work on advertising billboards owned by Packer and Singleton's firm first started about 12 months ago and some campaigns are already up and running beautifully.

The firm is not disclosing its full client or campaign list, as you would expect - not that anyone else could likely give them much of a run for their money.

These are not any average billboards... they cost about $500,000 each all told, "Packer and Singo" are looking for strong return on investment and are looking to stand out from the pack.

The concession to erect billboards over the M2 was purchased by Manboom, a company owned by JP, Singo and Robert Whyte, from the M2's owner, Transurban, back in 1998. Talk about forward planning.

For more than a decade Manboom was unable to erect signs over the road because of road blocks from local councils! The M2 passes through three council areas and only one, Hornsby, would permit advertising billboards.

But in 2007 the then planning minister, Frank Sartor, amended legislation that stripped away councils of the right to determine policies for signs over motorways. The Department of Planning became the sole consent authority for motorway advertising.

The Media Man agency strongly suspects that a strained economy (and diluting council coffers) lessened council opposition to the advertising proposal put forward. You know... "Money talks and BS walks", whispered a Media Man insider.

It is not clear how much income Manboom makes from the concession to advertise over the congested M2. The firm has in place an annual payment deal with Hornsby Council, the Hills Shire and the City of Ryde in return for its signage rights.

It also pays for public benefit works commissioned by Roads and Maritime Services.

Transurban's spokesman said months ago: "The installation of advertising signage will fund improvements to the aesthetics and operation of bridges on the motorway, including new bridge facade cladding.

"The project will deliver safety improvements to the motorway and a designated source of ongoing funding for safety enhancements to the motorway," he said.

"The use of advertising signage provides an important alternative source of funding for infrastructure improvements and enhancements."

The M2 is in the middle of a two-year upgrade.

The former RTA last year opposed four of Manboom's 15 proposed signs on safety grounds. It cited a fear about "sign clutter" and a concern the angle of one billboard would distract motorists.

The Department of Planning upheld the RTA's concerns about the four signs.

Some studies say billboard advertising helps keep drivers alert, whilst others suggest they are a dangerous distraction. Readers - what do you think? A gamble with safety or a gamble on the investment?

Its a safe bet that Packer, Singleton and Whyte have done their sums.

In the meantime plenty of other Sydney councils are watching the project closely to see if they may be able to also benefit financially from extra advertising on their roads.

*the writer owns shares in Crown Limited, Network Ten and Virgin.

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Avengers smash $1 billion mark; Marvel Entertainment: The Avengers video game in the works...

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The Avengers sequel gets green light from Disney; Disney chief executive Bob Iger also announces plans for Iron Man 3, Thor 2 and Captain America 2...

A sequel to superhero blockbuster The Avengers has been officially greenlighted after Joss Whedon's film brought in a massive $700m at the global box office in just two weeks.

Disney chief executive Bob Iger made the announcement as the studio admitted that its earnings for the first quarter of 2012 dropped 12% to $1.2bn compared to the same period last year. The film unit's $84m operating loss for the quarter was blamed largely on the box-office failure of $275m fantasy epic John Carter earlier this year.

Iger also confirmed that Iron Man 3, Thor 2 (both set for 2013) and Captain America 2 (due in 2014) will all be heading to cinemas through Marvel studios, which Disney bought for $4bn in 2009. He did not give a date or other details for the sequel to The Avengers (known as Avengers Assemble in the UK).

Meanwhile it has been revealed that The Avengers helped boost revenues for the $220m film via product placement for at least 18 companies. The luxury car manufacturer Acura was most prominent, having secured a multi-picture deal with Marvel, according to brand website portal Brand Channel. The company developed a special supercar especially for the movie, Tony Stark's NX Roadster, and also provided a number of other vehicles for key scenes. Other featured brands included ABC, aussieBum, Bose, CNN, Dr Pepper, Harley-Davidson and Southwest Airlines.

The Hollywood Reporter revealed that British actor Rebecca Hall is in talks to appear opposite Robert Downey Jr in Iron Man 3, following Jessica Chastain's decision to pass on the film due to scheduling issues. Shane Black, director of Kiss Kiss, Bang Bang, will take the reins on the third instalment.


The Avengers video game in the works...

Now that they've saved the world on film, The Avengers are teaming up for a motion-control video game.

Ubisoft Entertainment have announced a partnership with Marvel Entertainment to create a game based on the popular Marvel superhero posse. The game will be titled Marvel Avengers: Battle for Earth and will be released for both the upcoming Wii U console from Nintendo Co. and the camera-based Kinect system for the Xbox 360 from Microsoft.

"The idea that we're making a motion-control version of The Avengers is a unique proposition if you compare that to superhero games of the past," said Tony Key, Ubisoft's vice president of sales and marketing.

"This is the perfect type of game for that because these characters are very action oriented. They're always fighting and throwing things."

Marvel Avengers: Battle for Earth will focus on such characters as Captain America, Iron Man, Thor and the Hulk fending off an invasion of genetically altered Skrull aliens. The title will feature more than 20 characters from the Marvel universe and would be based on the Secret Invasion comic series, not the recent film.

No release date was announced, but Key said the disc-based title is expected to launch after Nintendo debuts the Wii U later this year. The successor to Nintendo's Wii will feature high-definition graphics, increased online capabilities and a touch-pad controller. He said more details about the game would be unveiled at next month's Electronic Entertainment Expo.

The game will be the latest addition to Ubisoft's motion-control arsenal. Previous titles released by the Canadian publisher that rely on gesture-based devices include the artsy shooter Child of Eden, street brawler Fighters Uncaged, superhero dueler PowerUp Heroes, the Your Shape fitness franchise and top-selling Just Dance series.

Marvel Avengers: Battle for Earth will mark the first time that the Assassin's Creed publisher has developed a game based on a franchise from Marvel, which was purchased in 2009 by The Walt Disney. The developers previously worked with Avatar director James Cameron to craft a third-person 3D action-adventure game set on the planet Pandora.

Sega created each of the games pegged to the films of The Avengers forerunners, including last year's Thor: God of Thunder and Captain America: Super Soldier, but there was no console game released this year alongside director Joss Whedon's blockbuster The Avengers, just the mobile game Marvel's The Avengers and Facebook title "Marvel: Avengers Alliance."

Fans freaked out last year over unofficial footage and concept art posted online of a first-person Avengers game that was reportedly in development by THQ. The footage of Iron Man, the Hulk, Captain America and Thor battling the infamous Skrull was yanked by Marvel from YouTube. A representative for Marvel declined to be interviewed for this story.

Traditionally, games based on Marvel movies have been released around the same time as their super-powered counterparts to benefit from parallel buzz. The open-world action-adventure title The Amazing Spider-Man from Activision. is set for release June 26, ahead of director Marc Webb's film of the same name on July 3.

The big-screen adaptation of The Avengers starring Robert Downey Jr. as Iron Man, Chris Evans as Captain America, Chris Hemsworth as Thor, Mark Ruffalo as the Hulk, Scarlett Johansson as Black Widow and Jeremy Renner as Hawkeye has smashed box office records, earning $US207.4 million in the US in its opening weekend.

"For us, that obviously raises the brand itself to an even higher level, and that's good for our video game because we have an opportunity to reach a broader audience than just the guys who love comic book characters," said Key, who added that Marvel Avengers: Battle for Earth would be family friendly despite the game's focus on fighting.

Marvel's superheroes have been a dominant presence throughout the history of games. They most recently assembled for the Capcom brawler "Ultimate Marvel vs. Capcom 3" and the Activision role-playing sequel Marvel: Ultimate Alliance 2. Gazillion Entertainment is currently developing a free-to-play online game featuring them called Marvel Heroes. Website: www.AvengersBattleForEarth.com

Marvel online slot games continue to be available via Bwin.Party Digital Entertainment - PartyCasino, and full game reviews are available across the Media Man agency website network. Excelsior!


Avengers smash $1 billion mark

Marvel Entertainment: The Avengers video game in the works

The Avengers sequel gets green light from Disney; Disney chief executive Bob Iger also announces plans for Iron Man 3, Thor 2 and Captain America 2...


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The Avengers has smashed through the $US1 billion mark in global box office earnings, official numbers demonstrate without doubt.

The comic book superhero blockbuster movie made $US103.1 million over the weekend in North America, following its $US207 million opening weekend - the highest-earning debut on record.

Globally, the Disney action adventure movie, directed by cult favourite Joss Whedon in collaboration with Marvel Comics, has made $US1,002,082,000, according to movie industry website IMDb.

The mega success of the movie - produced for an estimated $US220 million - will help offset Disney's huge $US200 million loss on sci-fi fantasy film John Carter in March, which acted as a catalyst for the departure of Walt Disney Studios boss Rich Ross.

The Avengers focuses on a superhero tag team including Iron Man, The Incredible Hulk, Captain America and Thor.


The Avengers sequel gets green light from Disney; Disney chief executive Bob Iger also announces plans for Iron Man 3, Thor 2 and Captain America 2...

A sequel to superhero blockbuster The Avengers has been officially greenlighted after Joss Whedon's film brought in a massive $700m at the global box office in just two weeks.

Disney chief executive Bob Iger made the announcement as the studio admitted that its earnings for the first quarter of 2012 dropped 12% to $1.2bn compared to the same period last year. The film unit's $84m operating loss for the quarter was blamed largely on the box-office failure of $275m fantasy epic John Carter earlier this year.

Iger also confirmed that Iron Man 3, Thor 2 (both set for 2013) and Captain America 2 (due in 2014) will all be heading to cinemas through Marvel studios, which Disney bought for $4bn in 2009. He did not give a date or other details for the sequel to The Avengers (known as Avengers Assemble in the UK).

Meanwhile it has been revealed that The Avengers helped boost revenues for the $220m film via product placement for at least 18 companies. The luxury car manufacturer Acura was most prominent, having secured a multi-picture deal with Marvel, according to brand website portal Brand Channel. The company developed a special supercar especially for the movie, Tony Stark's NX Roadster, and also provided a number of other vehicles for key scenes. Other featured brands included ABC, aussieBum, Bose, CNN, Dr Pepper, Harley-Davidson and Southwest Airlines.

The Hollywood Reporter revealed that British actor Rebecca Hall is in talks to appear opposite Robert Downey Jr in Iron Man 3, following Jessica Chastain's decision to pass on the film due to scheduling issues. Shane Black, director of Kiss Kiss, Bang Bang, will take the reins on the third instalment.


The Avengers video game in the works...

Now that they've saved the world on film, The Avengers are teaming up for a motion-control video game.

Ubisoft Entertainment have announced a partnership with Marvel Entertainment to create a game based on the popular Marvel superhero posse. The game will be titled Marvel Avengers: Battle for Earth and will be released for both the upcoming Wii U console from Nintendo Co. and the camera-based Kinect system for the Xbox 360 from Microsoft.

"The idea that we're making a motion-control version of The Avengers is a unique proposition if you compare that to superhero games of the past," said Tony Key, Ubisoft's vice president of sales and marketing.

"This is the perfect type of game for that because these characters are very action oriented. They're always fighting and throwing things."

Marvel Avengers: Battle for Earth will focus on such characters as Captain America, Iron Man, Thor and the Hulk fending off an invasion of genetically altered Skrull aliens. The title will feature more than 20 characters from the Marvel universe and would be based on the Secret Invasion comic series, not the recent film.

No release date was announced, but Key said the disc-based title is expected to launch after Nintendo debuts the Wii U later this year. The successor to Nintendo's Wii will feature high-definition graphics, increased online capabilities and a touch-pad controller. He said more details about the game would be unveiled at next month's Electronic Entertainment Expo.

The game will be the latest addition to Ubisoft's motion-control arsenal. Previous titles released by the Canadian publisher that rely on gesture-based devices include the artsy shooter Child of Eden, street brawler Fighters Uncaged, superhero dueler PowerUp Heroes, the Your Shape fitness franchise and top-selling Just Dance series.

Marvel Avengers: Battle for Earth will mark the first time that the Assassin's Creed publisher has developed a game based on a franchise from Marvel, which was purchased in 2009 by The Walt Disney. The developers previously worked with Avatar director James Cameron to craft a third-person 3D action-adventure game set on the planet Pandora.

Sega created each of the games pegged to the films of The Avengers forerunners, including last year's Thor: God of Thunder and Captain America: Super Soldier, but there was no console game released this year alongside director Joss Whedon's blockbuster The Avengers, just the mobile game Marvel's The Avengers and Facebook title "Marvel: Avengers Alliance."

Fans freaked out last year over unofficial footage and concept art posted online of a first-person Avengers game that was reportedly in development by THQ. The footage of Iron Man, the Hulk, Captain America and Thor battling the infamous Skrull was yanked by Marvel from YouTube. A representative for Marvel declined to be interviewed for this story.

Traditionally, games based on Marvel movies have been released around the same time as their super-powered counterparts to benefit from parallel buzz. The open-world action-adventure title The Amazing Spider-Man from Activision. is set for release June 26, ahead of director Marc Webb's film of the same name on July 3.

The big-screen adaptation of The Avengers starring Robert Downey Jr. as Iron Man, Chris Evans as Captain America, Chris Hemsworth as Thor, Mark Ruffalo as the Hulk, Scarlett Johansson as Black Widow and Jeremy Renner as Hawkeye has smashed box office records, earning $US207.4 million in the US in its opening weekend.

"For us, that obviously raises the brand itself to an even higher level, and that's good for our video game because we have an opportunity to reach a broader audience than just the guys who love comic book characters," said Key, who added that Marvel Avengers: Battle for Earth would be family friendly despite the game's focus on fighting.

Marvel's superheroes have been a dominant presence throughout the history of games. They most recently assembled for the Capcom brawler "Ultimate Marvel vs. Capcom 3" and the Activision role-playing sequel Marvel: Ultimate Alliance 2. Gazillion Entertainment is currently developing a free-to-play online game featuring them called Marvel Heroes. Website: www.AvengersBattleForEarth.com

Marvel online slot games continue to be available via Bwin.Party Digital Entertainment - PartyCasino, and full game reviews are available across the Media Man agency website network. Excelsior!

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